BROWN SUGAR (2002)
(Note: If this post is your first encounter with my Feminist Film Moment postings, kindly read the rules of engagement before reading, commenting, etc.)
Written by Michael Elliot and Rick Famuyiwa
Directed by Rick Famuyiwa
Synopsis: Best friends Sydney (Sanaa Lathan) and Andre (Taye Diggs) love hip-hop... and possibly each other.
Moment: Andre's wife Reese confronts Sydney with her love for Andre.
Rationale:
The two women in this scene are deeply emotionally attached to the same
man. Reese (Nicole Ari Parker) is his wife. The other is Sydney (Sanaa Lathan) is his best friend. And here they
cross paths at a boxing class. Naturally, their sparring match is going to
devolve quickly into a catfight, especially 'cause, you know, they're Black
women, right? Wrong! Daps to screenwriters Michael Elliot and Rick
Famuyiwa for resisting lurid expectations by depicting not one but two
multidimensional female characters in conflict who handle the matter with maturity
and dignity.
You may argue, "Well, they're just behaving like
adults." The fact that they're Black women in love with the same man - one of
those proverbial good Black men - makes theirs a feminist interaction because
of the racist (both overt and internalized) pearl-clutching over (1) the number
of marriageable Black men available and the (2) desirability of Black women. I
have no doubt that if Black women were given more opportunities to write and
direct narrative features, scenes such as these would be the norm, reality TV
housewives be damned. Still it's nice to see that some brothers can take the opportunity that male privilege has afforded them and represent the sisters right. Too few of 'em do.
And I have to say as a screenwriter, I though this was an effective example of giving characters an interesting context for their conversation, especially when they're characters in conflict.
And I have to say as a screenwriter, I though this was an effective example of giving characters an interesting context for their conversation, especially when they're characters in conflict.
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